Tegan and sara the con3/17/2023 “Yellow,” which the twins have said is the album’s one selection that touches on their own relationship, has crushing drums and lyrics about long-festering wounds and remorse. The less fevered songs, too, have an energy that makes them compelling. The title has an irony to it there’s a grappling with the big emotions that come with getting older on songs like the galloping “Fucking Up What Matters,” which spins out of a drum-and-bass-inspired beat into a thrumming synthpop cut, and the hyperattenuated “Under My Control,” which turns the common resolution-time refrain “I should start working on myself again” into a pop confection underscored by wariness about what internal excavation might entail. Macklemore Says ‘Intense’ 2020 Relapse Created ‘Darker’ Moments on New AlbumĬrybaby is a wild ride, with Tegan and Sara’s voices twinning and uncoupling on songs that vibrate with feeling while having the kind of lightness that comes with wrapping up larger-than-life sentiments in glittering pop gems. Perhaps appropriately, Crybaby explodes all preconceived notions about the Tegan & Sara sound from jump: “I Can’t Grow Up” opens with distorted vocals and firework synths - as well as a frenetic beat that’s the pace for the rest of the track, which feels like an uneasily exhilarating race to the finish between the vocals and the bassline the lyrics, which wrestle with passion and how it meshes with ideas of “maturity” and self-doubt, only heighten the intensity. Gosh, songs like this remind me of how much I love tegan and sara.In the two-plus decades since twin sisters Tegan and Sara Quin started making music together, they’ve become more than just a beloved pop duo High School, the Clea DuVall-created TV show based on their joint memoir of the same name, debuted on Amazon FreeVee earlier this month, and their LGBTQ activism has included a foundation, a covers album saluting their 2007 smash The Con, and even an ice cream flavor.īut music has always been at the center of their partnership, and on their tenth album that core has been changed up a bit - they’re on a new label, working with new management, and collaborating with a new producer, John Congleton. Whatever it means, I can most defintely feel the anguish and pain this is supposed to convey. Somebody needs to bring her back down to earth. "Encicle me, I need to be taken down." Just like Owls said, she has lost herself. That is the "edge of safe" she's staring at. Yet at the same time, she wants to take the easy way out and cry.hoping her GF will feel pity and forgive her. Don't call me back." She has spent a alot of time thinking of her and thinking of "that." She's obvioulsy feeling bad about it.and sorta wants to punish herself. I'm coming around," once she's done touring. It sounds to me like she cheated on her girlfriend while on tour.hence the "I'm home now. I don't know how many times I've cried while listening to this. What can i say about this song? I agree with jbabylove. “Nobody likes me,” she sings as if working out her next move, “maybe if I cry…”' On “The Con,” Tegan brandishes her tears as a weapon, a means to elicit guilt and, subsequently, affection from her love interest. The deeper and the darker it went, the more pleasant it felt.” “During this whole ordeal I was very confident and outgoing, but in my alone time I was crying on the floor every day–and I enjoyed it,” Tegan adds. There was some magic in me that was making this person question everything and continue this dance with me. “We were talking hours and hours a day and sending hundreds and hundreds of texts and e-mails, and spending all this money on trips, and there would be times where I would pull away and just ask her, ‘Why? Why are you still calling me? Why is this still continuing?’” Tegan recalls. As the two women formed a friendship, Tegan’s pitch became more desperate, more aggressive. ![]() The object of Tegan’s affection wasn’t interested in dating women, but, as The Con’s scathing title track details, that didn’t deter Tegan from pursuing her anyway. ' “And,” she adds, “I was trying to date this girl who wasn’t available.” Song MeaningThis song is about how Tegan Quin fell in love with a straight girl. I follow suit and laid out on my back, imagine thatĪ million hours left to think of you and think of that I imagine you when I was distant, non-insistent Spelled out your name and lists the reasons Well, nobody likes to but I really like to cry I'm home now, I'm coming around, coming around I'm capsized, staring on the edge of safe Yes, I know the feeling, know you're leaving I broke down and wrote you back before you had a chance toįorget, forgotten, I am moving past this, giving notice Yes, I'm guilty of this, you should know this
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